Tuesday, June 23, 2020

Corona Daily 411: Pandemics and Hollywood


How long will cinemas remain shut? When will we see Avengers-type movies again? Will the pandemic affect Hollywood in any way?
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Ironically, Hollywood – as we know it today - was an outcome of the Spanish flu pandemic (1918-1920). The credit for that goes to Adolph Zukor, the founder of Paramount Pictures.

At the start of the 1918 pandemic, movies were silent. Filmmakers were independent, artists and distributors were fragmented. Family owned movie theatres were known as mom-and-pop theatres. Once the pandemic began, 90% of those theatres were closed for six months or so. The closing of cinemas disrupted everything, movie-watching, making and selling. Los Angeles studios imposed a ban on filming crowd scenes. From October 1918, all film productions were shut down for over a month.

Mary Pickford and Lillian Gish, the top lady stars, were infected but recovered. Mask-wearing was voluntary. Male stars were reluctant to wear masks. It diluted their invincibility and manliness. The leading star of that period - handsome, blond Harold Lockwood, 31 years old, had already featured in forty films. On the sets of shadows of suspicion, he fell ill and died in a few days.
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Adolph Zukor was a visionary. He wanted to control the entire chain – make movies, distribute them, and decide how they were shown. Exhibitors and mom-and-pop theatres were ruined by the pandemic. Zukor began buying the movie theatres. If someone was unwilling, he threatened to build a theatre across the road. In 1919, he bought 135 theatres in the southern states. That guaranteed his films would be shown.

Paramount is still one of the “Big Five” Hollywood studios (along with Walt Disney, Warner, Universal and Columbia). The studio system also began with the 1918 pandemic. Studios locked up stars, directors, technicians to work for them. Zukor developed the film rental concept, whereby the distributor charges the exhibitor a percentage of the box office receipts. That practice is still prevalent in many countries. He also introduced the concept of ‘block booking’ whereby a studio could force a movie theatre to sign an annual contract to exclusively show movies made by that studio.  

Just as supermarkets, hypermarkets and shopping malls gradually killed the mom-and-pop retail stores, Zukor’s tireless enterprise put an end to the family owned theatres. He succeeded in achieving vertical integration and complete top-down control. An unfortunate side effect was the disappearance of independent filmmakers. Women and non-white filmmakers went out of business. Hollywood essentially became a white male studio-driven industry. The so-called golden age of Hollywood started. Post-pandemic feature films became longer, with bigger budgets.

We see the Zukor model adopted today by streaming services like Netflix. Netflix wants to produce films/web series, distribute them around the world, and bring them to your small screen by charging a subscription fee.
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Hollywood’s consolidation by establishing a studio system shows what can happen in a pandemic. Not only to a movie industry, but any business. Small fish face financial ruin, and either die or are eaten by the big fish. The big fish take over that industry, and become more powerful than before.

This consolidation is not a short-term effect. The model Adolph Zukor created one hundred years ago is still the backbone of Hollywood.

Ravi

2 comments:

  1. हो ना काही परिणाम दूरगामी असतात.

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